Thursday, February 28, 2013

David G. Kuhlmann 1938 - 2013

Circa 1985
Today was quite maudlin around the studio, I was supposed to be at my dear friend Dave’s memorial service in Houston, unfortunately the flu-bug paid a visit and nixed the trip. My former partner and co-founder of The Hively Agency passed away on Saturday after a long battle with cancer. Dave always loved to be out-of-doors which lead to several trips a year to the doctor to remove various skin cancers but we thought nothing of it, after all in Houston you can be by the pool from Valentine’s Day through Thanksgiving. In the end it was more serious than we ever imagined.

We started a small ad agency in 1985 and when I say small, we had three employees starting on day one, Dave, myself and a receptionist slash copywriter slash public relations person but we quickly doubled the staff the first year and went on to grow the agency in accounts, billings and employees until we were a $12-million dollar ad agency with 21 employees ten years later. We were never going to be huge—we used that to our advantage—we were lean and hungry and searching to prove ourselves. We did work no other agency was doing for clients most didn’t want but the campaigns worked and we got more work and in our first outing at the local advertising club awards we walked away with 18 medals. Nobody could believe that an agency of just six people could pull that off. To be so young, so small and yet so visible. And the visibility brought more clients, some for just pitches, others for pitches and wins. I look back on those times when the creative department was me and a freelance writer—we really never had more than two writers—how were we able to do so much good work? The answer is Dave Kuhlmann.

I have fond memories of the early days when we didn’t know if we were going to make it or not, each month was a question mark, the loss one-by-one of all of Dave's clients that we “bought” from his former employer and he still hung in there. He once said that he was so glad we’d teamed up as he now had something to sell, something he believed in. It was such a perfect partnership, him smooth and cool, me hot-tempered with lots of rough edges, we balanced each other so perfectly. Him the business-side, me the creative-side, thank god for his taking that off my plate—I fully realize today how valuable that was and is—God if someone would only take the business side now!

The first eight-room office space by the railroad tracks that we redecorated with grey walls—the owners and wifes doing the painting, curved glass block entryway we negotiated with our rent renewal, the Knoll and Herman Miller furniture that we bartered for adwork. And the people. Our first employee who was totally crazy and brilliant and then adding one-by-one,  and we couldn’t believe our good luck and recounting that alarm on our check-writing machine that went off every time the train rumbled by would always bring a laugh, no matter how many years it had been.

The custom black glossy formica conference table that we would polish before every client presentation,  then on to the new space with the large conference room with curved wall, grey and red and still we’d polish the table—this time a Eames conference table—before every meeting.

The trips to Brenham in that ten-year old yellow Benz, the entreprenuers we dug up somehow, someway and the bargain lunches at the Olive Garden—soup and salad only to stretch every dollar. The growth spurt, the new office space, the million-dollar accounts, the awards and jealousy in the community about this upstart with a staff a tenth of everyone else in town sweeping shows, getting press, making headlines in The New York Times and of course the celebrations, donuts on the conference room table in true Twin Peaks’ style, martinis after work in that minimal little room between our two offices—dirty martinis.

The laughter and sometimes tears, the Bible a departing staff member brought with her when we fired her—we never really liked firing anyone. The view from our eighth floor offices—those floor-to-ceiling windows. The water pistol fights in the hallways, the pool parties—indoor pool table and backyard pool, the bar at the Kuhlmann's, the Christmas parties in the townhouse and Dave and Ruanne’s. The laughter, always the laughter, even when things looked the bleakest, the jokes and laughter always kept us going forward, we never went backwards, always forward. And the people who joined us, sometimes taking salary-cuts, sometimes leaving and coming back because they couldnt do better work, the gains, the losses, the conflicts, the satisfaction. The risks to always do better, to give clients what they needed not what they wanted. The client who threatened to chain me to a radiator and burn down the house if our campaign didn’t work, and Dave saying, “Now you really don’t mean that do you?” Yes he did. And succeeding with work that shouldn’t have worked but believing it would work and did.  

The television and photo shoots, the television spots, the radio, the print, the invitations, brochures all executed with taste and style and above all substance. The awards that filled a lobby, the national recognition from those outside Houston, outside Texas, the articles in The New York Times about this micro-ad agency in Texas—the king-maker of ad agencies Phil Dougherty took an interest in a tiny shop way across the Hudson and it only got better!

Yes, the what-ifs always plague us especially at times like these, we miss the good old days, but more importantly we miss our dear old friends. Dave was always too fond of going to funerals, sometimes it seemed there were one or two a week, but he always went, he said it gave him comfort and being a spiritual man if provided something he truly needed. The true rememberance of a man is how much he’s missed once he’s gone, what memories they’ve helped etch in our minds and to that degree and more, Dave will be sorely missed and the memories will be treasured until our dying day. God’s speed!

Wednesday, February 20, 2013

Istvan Banyai: Stranger in a Strange Land


Norman Rockwell Museum continues its ongoing Distinguished Illustrator Series this spring by exploring the work of the innovative Hungarian-born artist Istvan Banyai, whose unique approach to image-making found an unlikely home in the United States; the exhibition, Istvan Banyai: Stranger in a Strange Land will be on view at the Museum from March 9 through May 5, 2013.

“The intelligence of Istvan Banyai’s imagery and elegance of his execution captivated me from the start,” notes Norman Rockwell Museum Chief Curator Stephanie Plunkett. “In his smartly constructed visual world, people move fluidly through time and space, eerily disconnected from one another, and shadows seem to have a mind of their own. Pointed in its commentary, Banyai’s art also conveys an air of quiet mystery, and his absorbing illustrations inspire more questions than answers, a reminder that things are not always what they seem.”

Istvan Banyai’s elegant, incisive artworks have been sought after by clients throughout the world; his striking imagery has appeared on the covers and pages of The New Yorker, Atlantic Monthly, Playboy, Rolling Stone, Mother Jones, The New York Times, GQ and Esquire, and in work for Absolut Vodka, Nickelodeon, MTV Europe and Encyclopedia Britannica. The artist is also the creator of such acclaimed children’s picture books as Zoom, Re-Zoom, The Other Side, and REM, whose unexpected perspectives have made him one of the most original and iconoclastic illustrators today.

A special exhibition opening event will be held at Norman Rockwell Museum on Saturday, March 9, from 6 to 8:30 p.m., with commentary by Istvan Banyai at 6:30 p.m. A reception will follow with a taste of Hungary, including refreshments and a cash bar. Admission to the event costs $20, free for Museum members. RSVP by March 1 by contacting the Museum at 413.931.2221 or rsvp@nrm.org.

Thursday, February 14, 2013

Applied Arts Winners

We just got notice about the Applied Arts Illustration Show. The following entries were winners: Issue 20 Cover, Jonathan Bartlett; Issue 19 Cover, Aaron Meshon and Issue 18 Cover, Michael Slack. In addition Mark Smith won for his Op-Art page in Issue 20 and Phil Wrigglesworth won for his feature opener for Issue 19.

The Applied Arts May/June issue will feature all the illustration and photography winners. In addition the work will be featured on the Illustration Winners gallery as well as the Applied Arts Archive. A winners exhibit is planned for later this year in Toronto .

Tuesday, February 12, 2013

3x3 Student Show Call for Entries

To celebrate our tenth year we’ve made a few changes in the 3x3 International Student Show this year that we think you’re going to like.

New entry process
This year we continue to streamline our entry process adopting the same entry system used by other leading publications making it even easier to enter and pay online. And added PayPal as an option for our international entrants.

Awards
As part of our tenth year celebration we’ll be awarding actual medals and paper certificates for all winners. And as a winner you'll be invited to our tenth year anniversary party to be held later this year. And we’ll be awarding cash-value prizes of $1,000 for Best of Show—you’ll receive a two-page spread in an upcoming issue, $500 cash-value prize for each gold medal winner—you’ll receive a free page in our next 3x3 Illustration Directory, the printed format is sent free to over 6,000 art directors and art buyers and our free app is offered to leading art directors and art buyers worldwide.

Eligibility
Open to all undergraduate and post-graduate students in all countries enrolled during the calendar year 2012. If you graduated during the year you are still eligible to enter this competition. Educators may enter work from their class as well. Only non-paid projects are eligible in the student competition, for paid projects please enter our professional show, deadline March 29.

Categories
We encourage you to enter all types of illustrations including projects for advertising, editorial, book, sci-fi, self-promotion, comics, graphic novels, posters, sequential, animation, 3D or personal work.

Our judges
This year we have Alan MaleFalmouth University, United Kingdom; David SandlinSchool of Visual Arts, United States; Thilo RothackerHochschule Konstanz für Technik, Wirtschaft und Gestaltung, Germany; Jean-Christian KnaffOCAD University, Canada and Megan BerkheiserSavannah College of Art and Design, United States. In addition this year we’re asking two medal winners from last year’s show to join the judging panel, RISD graduate JooHee Yoon and SVA graduate John Malta.

Entry fees
Our entry fees are one of the lowest out there $15* for single entries and $35 for series—a series must be three to five images in a related subject. Books, comics, and graphic novels are considered a series.
*10£, 22£; 11€, 26€

The Call for Entries email blast has gone out, if you didn’t receive it please join our mailing list.

Enter
So gather your entries and enter the 3x3 Student Show now.

Image by JooHee Yoon, Medal Winner in the 2012 Student Show

Monday, February 11, 2013

3x3 ProShow Call for Entries

To celebrate our tenth year we’ve made a few changes in the 3x3 ProShow this year that we think you’re going to like.

More categories
We’ve added several new categories to more closely cover all aspects of illustration and divided the Editorial category into sub-categories so our judges judge related types of illustrations, giving our entrants a more level playing field.

New entry process
This year we continue to streamline our entry process adopting the same entry system used by other leading publications making it even easier to enter and pay online. And added PayPal as an option for our international entrants.

Awards 
As part of our tenth year celebration we’ll be awarding actual medals and paper certificates for all winners. And as a winner you'll be invited to our tenth year anniversary party.

Eligibility
Open to all illustrators, art directors, editors and designers in all countries for commissioned and unpublished work produced in 2012.

Categories
Advertising, Animation, Annual Reports, Books, Calendars, Cartoons/Comics, Editorial (Conceptual, Food & Beverage, Portraits, Sports, Travel & Leisure), Fashion, Gallery, Graphic Novels, Greeting Cards, Packaging, Pro-Bono, Posters, Sci-fi, Self-Promotion, Sequential, Textiles & Patterns, Three-Dimensiona and Unpublished.

Our judges
This year we have Jocelyne Fournel, Art Director, Canada; Matt Dorfman, Art Director, The New York Times Op-Ed PageBrian McMullen, Art Director and Senior Editor, McSweeny'sLinda Boyle, Art Director, Daily Mail, United Kingdom and illustrators Jakob Hinrichs, Germany; Alessandro Gottardo, Italy; Gonçalo Viana, Portugal; and Harry Campbell, USA.

The Call for Entries email blast has gone out, if you didn’t receive it please join our mailing list.

Enter
So gather your entries and enter the 3x3 ProShow now.

Banner images from last year’s show (L to R): 
Elizabeth Baddeley, Jon Reinfurt, Daniel Dociu, Gonçcalo Viana

Friday, February 8, 2013

3x3 Directory App Live on iTunes

It’s official, the 2013 3x3 Illustration Directory is now a free app on the iTunes' App Store. After weeks of design, online trials, applications and approvals, our first-ever app is now live.

Thanks to Sarah Munt for converting our print Directory to a very useful app for art directors and art buyers. With the app we’re also able to expand our distribution beyond the United States, opening up the entire world to the only available curated Directory online, or in print.


Thursday, February 7, 2013

The Saturday Evening Post is Back

We just received notice that the stalwart Saturday Evening Post is back! And in keeping with its past the first issue is illustrated. Look for it on the newsstand or online.

For those of you not around at the time or have no idea what we’re talking about The Saturday Evening Post was an illustrator’s dream, they relied solely on iconic illustrations to tell a story and grab a reader’s attention.  In fact Norman Rockwell did 317 covers for The Post—some of the most memorable covers in illustration history.

Does this mean a renaissance for illustrated covers? We certainly hope so.

And who gets the lead in reviving this classic magazine, none other than Jody Hewgill!

3x3 Student Show Judges Announced


We’re pleased to announce the judges for the 2013 3x3 International Student Show. Since we’re the only show that is truly international we select illustrators and educators from around the globe to be on our panel.

This year we have Alan Male, Falmouth University, United Kingdom; David Sandlin, School of Visual Arts, United States; Thilo Rothacker, Hochschule Konstanz für Technik, Wirtschaft und Gestaltung, Germany; Jean-Christian Knaff, OCAD University, Canada and Megan Berkheiser, Savannah College of Art and Design, United States. In addition this year we’re asking two medal winners from last year’s show to join the judging panel, RISD graduate JooHee Yoon and SVA graduate John Malta

Mark your calendars, our Student Show deadline is March 29, 2013 and this year we’ve adopted the same entry system used by Print and HOW magazines so entering has become even easier. And we’ll be accepting PayPal this year.

We’ll be sending out our call for entries at the end of the week, to receive our call please join our mailing list.

Wednesday, February 6, 2013

3x3 ProShow Judges Announced

We’re pleased to announce the judges for the 2013 3x3 International Illustration Professional Show. Since we’re the only show that is truly international we select judges from around the globe to be on our panel.

This year we have Jocelyne Fournel, Art Director, Canada; Matt Dorfman, Art Director, The New York Times Op-Ed Page; Brian McMullen, Art Director and Senior Editor, McSweeny's; Linda Boyle, Art Director, Daily Mail, United Kingdom and illustrators Jakob Hinrichs, Germany; Alessandro Gottardo, Italy; Gonçalo Viana, Portugal; and Harry Campbell, USA.

Mark your calendars, our ProShow deadline is March 29, 2013 and this year we’ve adopted the same entry system used by Print and HOW magazines so entering has become even easier. And we’ll also be accepting PayPal this year.

We’ll be sending out our call for entries at the end of the week, to receive our call please join our mailing list.

Tuesday, February 5, 2013

Barbara Nessim V&A Exhibit and Book

There’s a wonderful article in today's TheGuardian about illustrator Barbara Nessim that leads with the news that she dated glam-rock icon Marc Bolan, lived with Gloria Steinem and captured a country in change. The major retrospective for this major American illustrator is not being held in this country but at the prestigious Victoria & Albert Museum in London. The V&A does an excellent job of promoting illustration within Great Britain and it’s exciting that Barbara is having her retrospective in that fine institution.

If there’s anyone who broke the glass-ceiling for female illustrators it’s Barbara, her intimate drawings have graced the covers of major publications going back to the 60s and in her new book Barbara Nessim: An Artful Life, we get an insight into this illustrator’s remarkable fifty-year career which shows no signs of slowing down.

The first illustrator to use the computer, she continues to amaze us with her virtuosity. A visit to her downtown studio is always a treat, opening any one of her sketchbooks, which are carefully filed by year, is always something special. I met Barbara when she was still chair of the Parsons’ illustration program, she was our first educator/illustrator honoree back in the beginning of 3x3 and she’s been a huge supporter of 3x3 ever since.

We’re happy to see that she is getting such attention from across the pond—richly deserved.

V&A
Barbara Nessim: An Artful Life
February 15 - May 19, 2013

Illustration, Star-Branded with Blue Wave, 1966

Monday, February 4, 2013

Open Studio Fridays: Portfolio Reviews


Shake Off the Mid-winter Blahs with an Invigorating Portfolio Review
We're continuing our complimentary Portfolio Reviews with additional dates in February and March.
The sessions are held in our Brooklyn studio on Feb. 8, Feb. 15, Mar. 1, Mar. 8, Mar. 15 between 3pm to 5pm. Each session will be a maximum of 30 minutes. Our portfolio reviews are open to all illustrators, you can be a college student, recent graduate or been in the field for years, we're happy to give you honest feedback on your book.
Portfolio reviews will be conducted by the founder, editor and design director of 3x3 Magazine, Charles Hively.  Our studio is located 45-minutes from midtown Manhattan on the F or G line. You'll receive complete directions once you've signed up.
About Charles Hively 
Charles started his career as an illustrator, has founded two award-winning advertising agencies and has worked for major international advertising agencies during his illustrious career. During his career he has commissioned both illustrators and photographers for local, regional and national campaigns. As founder, editor and design director of 3x3 Magazine he is constantly engaged with the world of contemporary illustration and combined with his experience as an former art director and creative director he provides a unique perspective on the field than few can match. He has lectured at important industry events and universities here in the US as well as Canada, the United Kingdom and Germany and has taught senior-level graphic design courses at Parsons The New School for Design. In addition, he is the author of Nuts & Bolts: A Blueprint for a Successful Illustration Career and is currently working on his second book.